Thu, 6 September 2018
Williams & Walker are a great deal to blame for being the originators and establishing the name “coon” upon our race. They met a white man in San Francisco by the name of McConnell, who put them on the circuit. In order to achieve success and to attract the attention of the public they branded themselves as “the two real coons.” Their names, accompanied with “coon” songs, were soon heralded North, East, South and West…. Williams & Walker and Ernest Hogan were not old enough then to know the harm they had brought on the whole race. They needed the money, what little they received, and the white people needed the laugh [and made the money]. Colored men in general took no offense at the proceedings and laughed as heartily on hearing a “coon” song as the whites. But where the rub came is when the colored was called a “coon” outside of the [theater]. “Coon Songs Must Go,” Editorial in "Freeman", Jan. 2, 1909 Before I got through with 'Nobody', I could have wished that both the author of the words and the assembler of the tune had been strangled or drowned... 'Nobody' was a particularly hard song to replace. Bert Williams It's a tough gig to be the bridge to a much-needed change. The old guard will consider you a heretic, the next generation will view you as a link to an embarrassing past. Bert Williams is not only the first black star of the 20th century, he stands alone in the world of 1900s popular music, a figure to define the decade as much as Caruso. These days perhaps that's all the attention he gets - a paragraph in black histories, vaudeville histories, cultural histories of the progressive era, a footnote in histories of ragtime and jazz. But, here's the thing, his music is still with us! This mix features his signature piece, 'Nobody', a brilliant piece of work which showcases his dry wit, laconic delivery and universally-relatable humanity in an era of grotesque, lazy stereotypes. He would go on to make several other recordings of the song, but none would capture its essence quite as well. The mix also features two other Bert Williams songs - Pretty Desdemona, performed with backing from his stage parter George Walker, and He's a Cousin of Mine, written by Chris Smith and performed here by Bob Roberts, but made famous by Williams. We also have the final recording from the last generation's great black singer, George W Johnson. The other great pioneering black musician of the era was, of course, Scott Joplin, whose music has lasted a great deal better than Williams', even if not in the form it would have been heard in at the time. Joplin was more well-known as a writer than a performer, so we have no recordings of him playing, but his 'Maple Leaf Rag' was already selling enough copies to guarantee him an income for the rest of his short life. Though it was composed initially for the piano, it was a popular piece with both upworld brass bands and underworld dance bands, the like of which we will later hear mutating into early jazz. Here it's performed in a surprisingly swinging fashion (that is, perhaps 2% swinging) by Sousa's United States Marine Band. 1906 was also an important year for the way music was consumed. For the last decade both cylinders and disc records had been played on devices with large external horns. These worked well enough, but were large and ungainly, the focus of a parlour whether in use or not, and liable to be damaged by minor knocks. Victor, by now a major player on the scene, introduced a new phonograph named the "Victrola" which folded the horn down into the base of a large, luxurious cabinet designed by the Pooley Furniture Company of Philadelphia. Though the victrola was very expensive - more than double the price of other gramophones - it was an immediate success, and would be the standard design for the next couple of decades. In a sense it's a minor change, but it turned the gramophone from a novelty into a standard piece of household equipment, a democratisation which would broaden the audience enough to mean that recorded music was no longer the preserve of dedicated enthusiasts. Tracklist Herr Dr. Professor & George Donahue - Bringing In 1906 0:00 |
Last Night A DJ Killed My Dog : Centuries of Sound - 1906
manipulating you illicitly since 1979
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